BLANK CANVAS

Sex Sex Sex

Sex sex sex well you came here to dance (Scritti Politti)

Music and sex go together like strawberrys and cream, Lennon and McCartney, Foster and Allen. Or more probably Blondie. Cool images on our walls, cut out centrefolds from NME, Smash Hits or Sounds, the new look, new love but it was always Debbie Harry who caught the imagination of a generation. Iconic and cool. Sex and music create some of the same internal feelings, warm and tingly as you filter sweep your Sequential Circuits Pro One. The moving connective rise and fall of an orchestral string section. Ibiza Chill Out classics. Leonard Cohen or Van Morrison in a Parisian flat on a sleepy Saturday early spring morning, the distant sound of vegetable or flower stalls coming to life, the dawn chorus. Sound, comfort, meditation, love. We experience a reason for being in the world, a natural connectivity through bodily integration, listening to the gradually intense breathing, the heartbeat changing from reggae, through hip hop, pop, techno to drum and bass before climaxing in hard core. Music is sex: sex is music. Sex has informed music culture, from the permissive era of the 1960s, sexual exploration and glam rock in the early 70s, to SEX the shop, punk and the pistols to New Romantics, the Aids pandemic spreading through London and New York gay scenes. Raves were about love, group hugs rather than explicitly sexual as energy went out on the dance floor. It was the parties after the events, the chill out rooms, the Sunday afternoons where thoughts of new musical ideas and sex started to reawaken. Love hope and happiness.

Social Rhythm

Hoedown at Hanks, Boomtown 2023

Musicologist Sophie Zehetmayer explores elements of music that resonate with the world. The social rhythm which we all undertake in our own unique ways, like the moped riders of Ho Chi Minh City in Vietnam, out on their own journeys without ever intersecting with each other, kept apart by constantly blaring horns. Social rhythm connects to our working hours, economic laws, and daily scheduling. Affect and political power, representation, the body. Hate, fear, shame, disgust or happiness perhaps, aligning to affect and rhythm as theorised by Sarah Ahmed. From the Body to being embodied. SENSATION. The name of a life changing exhibition of Young British Artist’s work at the Royal Academy in London. A shark cut in half and preserved in formaldehyde. An artist can be a sensation, coming through the ranks to be a star, but also it is about how the work resonates, its sensory connections to our thoughts and feelings. Bodies replicate, take the shape of the movement, of the collective over time, morphing, changing due to feedback, resolution, and through repetition. I see this as connecting to the knobs and sliders of an electronic synthesiser, a machine which originally was trying to replicate traditional sounds but became its own instrument, with variances between makes and models due to the filters and routing of sound, the materials and the way they have been used. ADSR – attack, sustain, delay and release. Something which sounds like an operational delivery for a war machine but also to cybernetic concepts of organism. The five steps of operation in cybernetic systems: goal activation, action selection, action, outcome interpretation, goal comparison. A manmade instrument and social system in perfect harmony. Standing over a synthesiser, patching cables between the various sections so you can create your own unique sonic: oscillators vibrating, generating the raw triangular or square sound waves, which can be mixed and then filtered through cut off and resonance before being shaped by the ADSR. Synthesisers, like samplers and AI, were meant to ruin music, take away the role of the true musician but have become essential tools that vibrate with the intensity of society. The use of synths in modern dance music highlights the deep emotions they generate, where filter sweeps can take resonant sounds into the bodies of masses, vibrating core frequencies of ecstasy. In these moments we are connected, at one with the world and those around us, the tribe dancing to the same beat. Simplicity, repetition and movement. Forgetting the troubles of the world around us but just connecting on the same level. The social sonic.

Sidmouth International Jazz and blues festival

I am very excited to announce this years festival lineup, which features an amazing array of talented musicians across jazz, latin, funk, soul and blues. There will be 5 headline nights from Thursday 23rd May to Monday 27th May, with the community music stages being across the weekend. Previous festival goers will understand the extremely high quality of all acts that we programme for this event. We have had an increasingly large number of artists applying to play which has made the decision making process increasingly competitive.

The end of May is the perfect time to visit East Devon, UK. The flowers are out and the weather is usually (crossed fingers) perfect. A beautiful way to welcome in an English summer. A perfect long weekend break.

More information is available here: https://www.sidmouthjazz.com/

An early write up about the festival: https://www.sidmouthherald.co.uk/news/24102082.sidmouth-jazz-blues-festival-2024-main-acts-announced/

I am especially excited about presenting Roberto Fonseca, Elles Bailey, Mica Millar, MF Robots, Snowboy and the Latin section in addition to wonderful Bristol acts including Lady Nade, Moscow Drug Club, Pete Josef and Kirris Rivierre.

Learning from Vietnam

The US – Vietnam War ended in 1975 with American troops airlifted out of Saigon, ending eight years of another attempt to take aways the country’s independence, it’s freedom to exist, Continuing conflicts in Gaza and Ukraine demonstrate the lack of learning that the human population undertakes. Or maybe it is the people in power who learn. That they can do anything and the fog of information, the lack of a true story deflects attention, confuses the masses. Travelling through modern Vietnam, dodging the mopeds, it is really difficult to fathom the reasons behind the war. Reds in the beds. McCarthyism in America where a communist spread was a frightening position for Republicans and Democrats alike. Vietnam is the most beautiful and friendly country. The people have forgiven. They love Westerners whilst keeping a wary eye on China to the North. War, what is it good for. Absolutely nothing of course and you realise the sheer stupidity of trying to bomb the hell out of a diverse and opaque land where the camouflage of the jungle and the brilliant local knowledge is bounds to defeat the enemy, carpet bombing from above. B52 craters litter the land, now creating objects of war for tourists to take selfies besides or filled in as finishing lakes. Tunnels at various levels where life could go on unhindered, were the enemy could be surprised, passing hidden entrances and attacked from behind. Like in Gaza, finding ways to defeat the over powering superpower, going underground to get out of the jam.

There is the demonstration of collective strength from the Vietnamese people, a common goal to get on with life and make the most of their opportunities and resources. Legendary leader Ho Chi Minh left the country to learn about all aspects of life, from pot washing to gardening, supporting the French Communist party before returning home from hiss exile voyages to support the implementation of collective politics at home. Vietnam still contains a Socialist government with the cracks of Capitalism breaking their way through, but a common understanding and Buddhist leaning life is abundantly clear in the happiness, the joy de vivre of the people. They laugh and work as small groups, spreading out to a vital whole. Vietnam is rebuilding through its people, its verdant growth. Built on the back of a non hierarchical mixed patriarchal/ matriarchal society where women can be seen building houses and men in the kitchen. Wandering through parks and closed weekend streets in Hanoi, the lilting tones of Boney Em to One Unlimited filter through as groups of women dance in step, teenagers hang out on sultry evenings in Hoi An working on routines and theatre sketches, peacefully in each others company, not getting drunk or jacking up. Peacefully, happily together. Strong groups, strong families.

poster of a female soldirer in the Vietnam war

outline of a female solider on a window of the Vietnamese Women's exhibition in Hanoi.

Images from the Vietnamese Women museum in Hanoi, Vietnam

New Years Revolutions

So its 2024, another year over, another year starts, but really its just another day, sunrise, do stuff, sunset. The mid winter break (if you get one) allows the chance to rset, to think about those things which you want to concentrate on, to change old habits, bring in new ideas, start afresh from a Blank Canvas (™). I am lucky in that I am happy with my life so my main wish is for continued health and happiness, some resolution to world conflicts, action towards halting climate change, a Labour government, new patio (not like Fred/ Rose), the chance to go to conferences in Copenhagen, Philly and Porto, travel to Vietnam, see more of my kids and be just a little bit more famous.

New Years Day started well on my mission, with the Lyme Lunge, a beautiful site of 1200 people in fancy dress dipping into the ice cold water of Lyme Regis, Dorset. The local press loved taking pictures of friend Steve and myself, our outfit garnished with 2024 futuristic glasses. An easy image to summarise the new year. So far this year I am having an article written about my first book (Blank Canvas), have had some music played on Radio Wigwam and have finalised some amazing acts for the Sidmouth International Jazz and Blues festival. Exciting times ahead. I hope everyone has had a great start to the year, enjoy the increasing amount of daylight and the opportunities a new dawn brings.

2024

Ok ok so it’s another day, another year. Excellent stuff and thanks for everyone who has read my posts, my books, listened to my music or looked through my photographs. Next year is time to release book number 2 into the world, an exploration of music scenes through my eyes.

Have a great New Year and hope the world can finally get its act together in all ways.

Internet Radio

As a very part time musician composer producer kind of person it is difficult to find the time to produce music and the th frustration comes of actually trying to find anyone to play it/ listen to it/ feedback; hate it love it buy it. Over the last few years I have been involved with a Twitter/ X based music scene, where generally unsigned artists making slightly avantgarde or non totally commercial electronic music inhabit. BBC Introducing was one space, but that is an increasingly singer songwriter gateway into radio airplay. In my genre of melodic not quite dance electronica a really supportive network of likeminded artists exists, supporting each others mainly part time hobbies. Names like Kiffie, Signal Committee, Trevas, Mothloop, and myself Inochi seem to constantly appear, as if by magic, on the same internet radio shows. I have no idea of listening figures for some of the shows we are played on but it definitely warms the cockles of your creative heart. I mean what is musicking all about anyway? Making your fortune, heading off into the sunset with a banana daiquiri on a Caribbean beach. Possibly. But really, for me its about having an existence which includes music at the forefront, not making a living, but providing some feedback and support, acknowledgement that you have a place on same airwaves.

Big up to Radio Wigwam, Big Satsuma Radio and Trust the Doc internet radio shows who are all playing Inochi tracks this weekend. We are all listening and playing music this weekend in recognition of the epoch changing British poet Benjamin Zephaniah, who so sadly passed yesterday, 7th December 2023.

Gavin Bryars book

I am really excited to have a chapter in this beautiful book that celebrates the work of renowned UK minimalist composer Gavin Bryars. The book really explores the impact Gavin had on the music industry, initially with Brian Eno and other artists who formed the ambient and experimental early popular/ classical music crossovers. As a celebration of his 80th year, this is an exploration of the creative life of an iconic and great bloke.

My chapter looks at his connection between art and music, exploring the innovative teaching methods he used at Portsmouth and Leicester art schools in addition to the formation of the incredible Portsmouth Sinphonia.

A perfect christmas present for your cultured family member and/or friend

Gavin Bryars

https://www.kahnandaverill.co.uk/product/gavin-bryars/

Music Promo

Hey morning all. Just a quick note to say that my music through the pseudonym Inochi (life energy) is being played regularly on Radio Wigwam: https://radiowigwam.co.uk/bands/inochi/

It’s great to have the support of music communities.

You can also listen to my album here, years of painstaking slaving over a hot keyboard, pushing buttons, twiddling knobs, contemplating, creating.

A screenshot of album by Inochi that is called Intra, released on 17th November 2023.

In Retrospect

So its that wonderful time of the year when top 10, 20, 50 lists are compiled by all and sundry, books, albums, tracks, exhibitions, TV programmes, films etc.. Culture laid bare by the usual protagonists. In my world of popular music culture the lack of diversity and retrospective nature of the so called music books of the year I find staggeringly depressing. Topping the Times list is the alternative mainstream funk of Sly Stone, sound interesting to me, but the rest include tombs on Madonna, Bowie, the BeeGees and Barabara Streisand. OMG. Surely music books of the year should not be so biographically in the past and mono cultured. There is a whole other array of music writers and publishers that the regular mainstram of White Rabbits, Faber, Rough Trade have a slightly more eclectic mix, including Jeremy Deller’s Art is Magic, although it does include Rick Rubin’s rambling rough ruminations on creativity. He aint no Mihalyi Csikszentmihalyi that.s for sure. Too many male authors too, lads talking about lads in bands. Boring. Atleast Audrey Godden’s reconstruction of Factory Records hits many a list. Whatever year final retrospective you view there is a lack of black identified music genres including grime, jungle, reggae, or global music outpourings around South American, Asian, or African music cultures. Music is also of the hear and now, not just for getting back to the Beatles and their ilk.