So there are 5 nights until the next full moon, where you can leave the comfort of your house and safely venture out to the wonderful Marine Theatre in Lyme Regis where you will happen upon East Devon Soul presenting the wonderful music of the Buena Vista Social Club recreated with a Bristol swagger by some of the best UK latin musicians. What more do you want to usher in Spring and Summer 2025. What better sound or view will you get in the UK to experience latin tropical vibes. Enrollar, enrollar, come and join the moon!
Watching the early Dylan biopic A Complete Unknown has altered the perspective on a singer songwriter I never really understood or resonated with. I still don’t. It seems incongruous the reaction from audiences as Zimmerman announces his presence across New York and then the globe. A voice of a generation emerging from the shooting of Kennedy and the Cuban Missile Crisis. A voice of the people who couldn’t really connect with anyone personally, relationships destroyed by his desire to create, the importance of voicing the creative product over spending time with partners. A complete blinkered drive heading one way down the highway straight to the creative space, casualties splattered on the pavement around him joining those static and rolling stones. The film doesn’t dive into his backstory, provide some sort of connectivity with family, upbringing, education or socialisation but just places Bob in Greenwich Village, with the fellow cats, shades on, cigarettes smoked. That’s how he got such a gravelly voice, alongside the passive smoke from everyone else who was lighting up. It’s what’s missing from our popular culture nowadays. No one smokes, all pop artists are generally squeaky clean, autotuned to robotic AI perfection. Dylan was anti AI although just as anti-social. In modern day New York he could open up his computer rather than searching for key changes on his guitar, speak into it, say “create a song in the style of Bob Dylan talking about how the world is heading for yet another disaster, this time with captains Trump and Musk at the controls rather than Khruschev or Nixon. A hard drives train is going to fall in place. Why are so many revered artists such c**t* in the real world. George Michael or Prince, lovely geezers. Laurie Anderson, brilliantly creative artist who still lives on her main hit O Superman, Uh uh uh uh, oh mum and dad. In a wonderful Desert Island Discs, Anderson talks about her amazing family, starring at school, the creative process and spirituality. Dylan smokes, looks moody and mumbles alongside his guitar. A great songwriter who appears to have come from outer space, inventing his own backstory, a carnival of smoke and mirrors. Someone no one will ever know.
On 1st December 2016 I took the train from Bristol Temple Meads to London Paddington. It was one of those beautiful rare clear cold sunny vibrant winter days, one where the trains ran on time, everyone had a seat and enough room to spread out. I was very excited. At 11.47 precisely I was transported to the ornate iron and glass door of a mews house in Ladbrook Grove. Just about to knock on the pane I see a figure furtively rustling around the colourful and bright studio space. Picking up objects, transferring them, bustling around with what seemed like an ever enlarging grin on his face. A medium set bald guy with a kind of beard. Ah Brian, there you are. I was transfixed. I wanted to keep just watching. I did for about 11 minutes before I walked away a few stops and came back to the door to knock. Brian was welcoming and lovely, making me a large cup of his wizards tea.
During our session, artist musician Brian Eno demonstrated Chaos Theory with his 2 handed pendulum, where simple motion on the first one creates infinite non repeated movements on the second. So, a little nudge one way can send all kinds of confusion across the next, thereby subordinating populations. Collective consciousness came through in punk, hip hop, techno, jungle etc.. through commonalities of fashion, style, music, art, taste, lifestyle, place, rhythm, dance. There are instigators, those key people who lead the collective in a certain direction. We are all swayed in some way, which can be a positive in cultural scenes but have global destroying effects in political spheres.
Brian Eno hanging out with the German electronic musicians of Kluster, provided the time and space for creative exploration by dropping out and living in their Kommune for a while. London squats were the beating heart of the emerging punk scene, and within Western Europe.
Our connections to our lands, our ancestors, spaces and places, kneeling in the soil, digging the garden, the new rock and roll as Cosey Fanni Tutti and Kim Wilde continue to show. I’m sure Brian Eno potters around hot tomato plants, winding them carefully up their strings, reaching to the sky. Little glowing red orbs gradually appearing. The Farmers Boys and Girls in their Norfolk greenhouses. Sets of allotments are the socio-cultural space for the new creatives, or the old creatives who need to be in touch with their land, the city dweller who yearns for the countryside, everyone effected by global cost of living crises, where pulling up your evening meal from the ground can offset ever rising food prices.
Roxy Music keyboard knob twiddler Brian Eno learnt about the power of humour through his art school adventures with tutor Roy Ascott. His first lessons at art school included devising personality tests, where students had to enact the opposite traits they normally displayed. For chatterbox Eno, he had to remain silent for the sessions and let other people lead projects. When becoming a record producer, Eno introduced concepts relating to getting artists out of their normal comfort zone so that they would maximise their self in performances and composition ideas, without the usual routines or trappings. The Oblique Strategy cards he created with artist Peter Schmidt contains humorous, tasks such as play with your non dominant hand, do something boring or emphasise the flaws, whilst also suggesting role play ideas to bands including pretending to be an alien funk band from the year 2055.
Brian and I had a good chat. He showed me 2 floor standing safes, saturated with notebooks, relaying pictures and concepts from years of doodling and thinking. A time bandit. Brian got on his fold up bike and scooted off for a meeting with George Monbiot. See you again Brian.
New Orleans soul singer Acantha Lang is performing at the Marine Theatre Lyme Regis Dorset on Friday 6th December, supported by two top Funk and Soul DJ’s. It’s an unbelievable coup for the town and area so here is some info about Acantha
“She’s brilliant … destined for world domination.”
The Craig Charles Funk & Soul Show, BBC 6Music
New Orleans-born (London-based) rising Soul artist Acantha Lang has been compared to legends Aretha Franklin and Gladys Knight. Her acclaimed debut album ‘Beautiful Dreams,’ released in 2023, charted at #3 on The Official UK Jazz & Blues Albums Chart, garnering critical praise and rave reviews with 5-star ratings in Echoes Magazine and Soul Bag Magazine (France). Acantha graced the covers of the iconic Blues & Soul and Echoes Magazines and received Album of the Month honours from Soul Tracks, Relix, American Songwriter, KCRW’s ‘Top Tune,’ and more. Tastemaker Craig Charles (BBC 6Music’s Funk & Soul Show) notes: “She’s brilliant…destined for world domination.”
Lang has also been captivating audiences globally, making her US TV debut on CBS Saturday Morning and performing at the prestigious 2024 SXSW Music Festival in Austin, Texas, major venues in Spain and the UK, and renowned clubs like Bizz’Art (Paris, France) and Melkweg (Netherlands). In April 2024, she was a featured artist at The Dew Drop in New Orleans and performed alongside The New Mastersounds at The House of Blues and Blue Nile as part of the BACKBEAT Jazz Fest series during New Orleans Jazz Fest weekend where she met new fans like Anderson.Paak. She was also invited as a special guest for Jon Cleary at his sold-out show at the renowned Jazz Cafe in London.
Lang’s songwriting prowess was recognized before her solo career, crafting tracks for the GRAMMY-nominated Robert Randolph & The Family Band. Her debut EP, ‘Sugar Woman,’ earned her critical acclaim and the 2021 Soul Tracks Readers’ Choice Award for New Artist of the Year. She was also accepted into the Recording Academy’s (Grammy) 2022 member class.
Currently writing album #2 with further US and European touring to come off the back of a string of sold-out recent shows in Spain, this GRAMMY-nominated songwriter has established a dedicated legion of fans with her 13m+ viewed “Standing On The Shoulders Of” soul series.
With over 3 million streams and placements on top Spotify playlists like All Funked Up, Best Retro Songs, and Best Funk Songs of 2023, Lang’s music is resonating with a global audience. Radio support in the UK (BBC 6Music’s Funk & Soul Show) and the US (KCRW’s Top Tune of the Day) further solidifies her rising star status. Her most recently released single was a re-imagined funk cover of Bill Withers’ ‘Grandma’s Hands’, that was named Jazz FM’s Breakfast Show record of the week, added to the A List, plus also got love from esteemed DJ Trevor Nelson on BBC Radio 2. Acantha is currently preparing to return to the studio to write her sophomore album, slated for 2025
Why can’t I just sit at home and exist. What drives me to make some sort of mark on the world, create a lasting legacy, be constantly active, a diary full for months in advance, no time just to sit around and think. It always seems to be the way, agreeing to things without really first engaging the brain. A desire to do stuff, to be helpful, to explore ideas and put on events. Why can’t I just say no or keep my powder dry. Surely it would be easier just to sit on the side-lines, let other people run events but maybe that’s my nature of being an artist. One of the organisers. I’m not even sure it is one of my strengths. Well actually wooing is, so getting people to do stuff, to work with people, help, facilitate, be the natural number two. Peter Taylor to your Brian Clough. There is nowhere to go after over promising. You have put an idea into some else’s head and to stand and deliver. Or else try and back down gracefully without losing face or reputation. Keeping your mouth shut, thinking about things before promising. Review the logistics, the costs, the possible scenarios that could unfold in your head. It’s generally better to under promise, set expectations at a base level so you can gradually work up, surprise people, start to reveal the full extent of what you hope to achieve. Or don’t even say anything, keep your powder dry, have thoughts running around in your head that can stay there, under control, a multitude of concepts swirling within the brains matter. Is it a need to be liked, an area of conversation or just a desire to collaborate, support projects. By saying something it means you really have to deliver, it puts the concept out in the open. Surely this can be a good thing though as it counters inertia. Provides the possibility of creating something great, making a change, a mark on the world that delivers happiness to yourself and others once you have battled through the stress of putting the event on. If you don’t go out there and put your head on the line then you are not a competitor. You are someone happy on the side-lines, which is fine. Some people need to be the creators, innovators, those who push things forward and support a change in the world. Over promising is their reality. Realising dreams. Is there any point in any of this though. I mean we all shift off this mortal coil. Famous people are dying all over the place. Geoff Capes, iconic strongman of early TV. Seemed like a lovely bloke. He will be remembered. DJ’s Janice Long and John Peel, an anarchic Top of the Pops double act, laughing, joking, no longer here. A young guy from pop reality stars One Direction, plummets to his death from an Argentine balcony. Going in one direction, down. Quite youthful world cycling megalith Sir Chris Hoy, terminal cancer. All that healthy exercise and being superfit leading to inevitable doom. Maybe he should have just sat around smoking fags. Same result. You see people heading off for their daily jog or skulking around corners with rollies dangling from their mouth. Which one are you, what path do you choose. Lady Di. Princess of the people, changing the world, battered in a Parisian underpass alongside son of rapist, Dodi Al Fayed. He should have been the one in the car. Justice. If there was equity and fairness in the world then all those out exercising, eating healthily, being kind to the planet, one or no car families, care workers, doctors and nurses, nutritionists, musicians, actors, authors, recyclers, councillors, counsellors, cancellers, administrators, supporters, non-hierarchical activists, and famous shot putters should have the longest lives. We should know how long there is. Surely that’s fair. Otherwise, really what is the point. To be remembered? To leave a mark? To have in some way helped to make the world a better place through selfless behaviour? It is within your own heart and soul that this probably needs to occur, by doing stuff, creating events, putting your neck on the line, trying to improve other people’s lives, being proactive and making a difference is probably worthwhile. You might not get a medal but there should be peace of mind, inner comfort, a warm glow emanating from you, understanding that you have maximised your time on earth, nothing has been left undone or unsaid, like riding through the final 10 minutes of a spin class, pushing until the end, warn out but satisfied that nothing else could have been done.
With the collective there are checks and balances, the combined rhythmic and melodic impulses connect through the tissues of humans, vibrating naturally. Maybe this will fool the Artificial Intelligence (AI) bot, which can replicate individuals, but the collective human wave has the combination of randomness, continuity and subtlety that will defeat the programmer. We are the robots, do do do do. According to musicologist Michael Spitzer ‘music is something bred in our bones’. Can AI ever be expected to replicate the randomness of humans when placed together with ironic meta modern sentiments? The beauty of Kraftwerk was their humanity, they introduced the machine but with naivety (and great songs) at a point where the machine was not feared but excitement abounded due to the possibilities becoming available. Cybernetics pre-empting the internet. Mass communication through wires. There is something in AI which seems almost old fashioned, like watching sci-fi show Blake’s Seven on a wet and windy November Sunday afternoon. Kraftwerk still feel ultra-modern, the future whilst being embedded in the past. AI seems comically uncultured, taking Kanye West’s vocals for example you can create your own representation of one of his tracks. Is this innovation or legitimising the cover artist, providing creative potential for the masses based on what has happened before. Kraftwerk were innovative, generally ignoring the past, tomorrow’s world. AI has been around for years in music, a secret alien takeover kept quiet from the general populace since the sequencer became embedded in the Roland SH101 mono synth or as a standalone sequencer in the battleship grey Alesis MMT8. Automation in ProTools or Logic software programmes then arrived. Preset sounds built into music making modules are programmers deciding what sounds you would like to use in their machines, providing an AI style link. The Roland TB303 bassline was designed as a bass emulator, a robotic bass player, rather than the squelching acid machine it became. The machine was out of control, a Frankenstein monster let loose by its inventor.
As a very part time musician composer producer kind of person it is difficult to find the time to produce music and the th frustration comes of actually trying to find anyone to play it/ listen to it/ feedback; hate it love it buy it. Over the last few years I have been involved with a Twitter/ X based music scene, where generally unsigned artists making slightly avantgarde or non totally commercial electronic music inhabit. BBC Introducing was one space, but that is an increasingly singer songwriter gateway into radio airplay. In my genre of melodic not quite dance electronica a really supportive network of likeminded artists exists, supporting each others mainly part time hobbies. Names like Kiffie, Signal Committee, Trevas, Mothloop, and myself Inochi seem to constantly appear, as if by magic, on the same internet radio shows. I have no idea of listening figures for some of the shows we are played on but it definitely warms the cockles of your creative heart. I mean what is musicking all about anyway? Making your fortune, heading off into the sunset with a banana daiquiri on a Caribbean beach. Possibly. But really, for me its about having an existence which includes music at the forefront, not making a living, but providing some feedback and support, acknowledgement that you have a place on same airwaves.
Big up to Radio Wigwam, Big Satsuma Radio and Trust the Doc internet radio shows who are all playing Inochi tracks this weekend. We are all listening and playing music this weekend in recognition of the epoch changing British poet Benjamin Zephaniah, who so sadly passed yesterday, 7th December 2023.
Hey morning all. Just a quick note to say that my music through the pseudonym Inochi (life energy) is being played regularly on Radio Wigwam: https://radiowigwam.co.uk/bands/inochi/
It’s great to have the support of music communities.
You can also listen to my album here, years of painstaking slaving over a hot keyboard, pushing buttons, twiddling knobs, contemplating, creating.
Hey its a far from black Friday. Awaking to beautiful mauve, purple, red and translucent blue skies seems like a good moment to unleash my album Intra, under the name i have used for many a moon, Inochi, meaning life energy in Japanese
Intra contains a selection of tunes, melodies, rhythms, samples, sounds, that I have been tinkering with over a few years, so it is great to get them al together in the same place and throw them out into the world. I would say that my music is inspired by where and who I am but also groups like Bonobo, Thievery Corp, Boards of Canada, Nils Frahm, jungle, Orbital, Orb, Morricone, Pärt, Floating Points.
Please have a listen here and hope you enjoy it. Something for the weekend.
Just before the onset of those traditional festivities where families argue or try and flick an After Eight from forehead to mouth without using fingers, I am speaking about connections between punk and jungle music genres at the wonderful Punk Scholars Network conference.………
Punk is timeless and extends beyond the year zero late 1970s definition and identification in which it is commonly held. In connecting to other time points and genres I interpret jungle as a genre which combines many of the same elements, reflecting on the wider connotations of punk, stepping into the Hardcore Continuum identified by music journalist Simon Reynolds which led through techno, jungle, drum and bass, dubstep, and grime.
Key elements of punk and jungle show equivalence:DIY, creative emancipation, postmodern eclecticism of genres, dole and squatting, technological shifts, subcultures, resetting the music landscape, minimalism, anyone can be a musician, pirate radio, delivering an original sonic difference. Visual arts also played a key role as jungle initially connected with graffiti whereas punk defined new fashion, emerging from Dada and art inspired spaces. Punk and jungle resonated sonically, music that is dynamic, danceable, and fluttered speaker membranes.
Every scene, or scenius (the genius of certain scenes – thanks Brian Eno), cooperative genius needs a key instigator to push it forward so within punk, managers Bernie Rhodes and Malcolm McLaren forged the scene whereas jungle was led by its musicians, specifically Goldie or Roni Size in London and Bristol respectively. Community spaces including key venues, rehearsal and recording studios also supported and defined both scenii (scenius in plural), from the Roxy to the Blue Note.
Acknowledging the punk continuum in preceding genres such as jungle, reduces retrospection and highlights future punk infused possibilities for popular music scenes related to inner city modern life.
Come along, its the most fun you can have in any conference anywhere ever!
