Time to Stop

I love waking up and seeing the view from my kitchen. The endless variety that the same picture conveys, changed by seasons and the vagaries of the English weather. Coastal winds transforming the seascape unfolding in front of me. The variances as the sun rises from a slightly different position each day, spraying deep orange and peach light that gradually lightens as the sun rises, turning our home into a constantly varying symphony of colour, replicating musician and artist Brian Eno’s light boxes, never the same, always different. Nature drenching its mood and perspective. Whilst studying for my doctorate I used to cycle most days between the south western English cities of Bristol and Bath, stopping at the same point and snapping a shot on either my phone or camera. A beautiful spot where the city was left behind and bucolic countryside emerged, fields, horses, a church spire rising out of the English village, creating balance in the view. I was entranced by the differences in similarity, the chance to look more deeply when you start to know every element in your picture. Sometimes the horse was there but other days not, or in a different location creating an alternative balance. Standing still and contemplating. Repetition providing the opportunity to stay in the moment, the place, the view. Not a set of holiday snaps which blindly take you around the pool, beach, lunch, church, beach, afternoon drinks, sunset, dinner, party. A beautiful view is to be savoured, unfurled through the ages, the chance to measure your life alongside the beauty of humans and nature. An opportunity to be static and contemplate change, to work out what it is all about. To stop rushing around, stand on one leg and breathe, the tree of yogic life. Zen gardens. Life is everything around us. Let’s be more observant, take time out, put the phones away and actually live, fighting the demands and distractions of the modern world. Recognise what is going on around us, the different dynamic of certain moments or days.

Why does the start of the week feel different to the end? Parts of the year have certain scents, views, feelings, which time stamp our development. Facebook reminding us about what was happening on the same day one, two, seven years or even eleven years ago. It all seems so recent. Present, in the now. Time has sped past, our lives juggernauting along at breakneck speed, unable to slow it down as caught in a merry-go-round, gliding up and down on a horse, repeated views blurring past from the bottom of the hill. Our lives have reportedly changed over the 58 years I have been present, but it all seems the same to me. The UK. The long hot summer of 1976, Prime Minister Margaret Thatcher, exciting pop music with punk screaming into view, strikes, extreme weather, long periods of drought followed by flooding, a warming globe, familiar places and faces. Not a static life spent in one location, from birth, school, work to marriage, children and death but a multifaceted one travelling the planet, moving from place to place, adventures that make life exciting and dynamic. London, Paris, Glasgow, Bristol with a swathe of smaller locales in between. Days which were dynamic, a cure for the humdrum, a world of creativity and chaos. Moving from cities to the countryside has provided boredom, the ability to stop and stare, think deeply, be at peace and start to wonder and wander, contemplate, remember, look forward. Internal conversations becoming clearer as the fog starts to drift away, lifting from the valley floor and revealing a beautiful landscape stretching into the distance, providing the first glimpses of clarity on life.

Bank Holidays

Months pass without time to stop and think, an endless treadmill of work, gym, family, TV. As the buds of spring start to blossom, days stretch out further than Lance Armstrong’s stamina, mornings and evenings gradually blending into one. Bank holidays at Easter result in terminally long weekends. Bank holidays at the end of May result in extending this joyous month, a riot of colour and for one year only, no rain on the plain like Spain, parching the grass, concreting the soil. Another break arrives. Time to forget about the 9-5, replaced by excessively trying to catch up with all those other things which life throws uncaringly in front of you. Cleaning, tidying, sorting, moving, gardening, driving, deadening. Easter provides a break but one that defines the next stage, part two of the year. Winter is now truly behind us and beautiful bucolic times stretch ahead. The chance to watch your team lose twice rather than once over a long, long weekend. Top top players needed. So, by repeating words that means they are doubly important. We need a top top top top upgrade on all our players, manager and coaching staff. The food is good though, for the players. Fans suffer with blasted dodgy sausage rolls and overheated Balti pies. Extended weekends sometimes provide an opportunity to think about being creative, write some words, catch up on research, make music, take photographs. It always feels like the busiest time, when extra hours available are eaten by Pac Man munching creatures. Also, a time to read, books, paper, articles, to take a breath in and move forward. The pope died today after a long illness. Thoughtfully waiting until after his Sunday sermon before letting go, joining his friends in heaven and beyond, a good person by all accounts.

Bank holidays do have an end, but they are points in time where lots of people have the same time off. Not emergency or health workers, service trades or tourist spots. They are busier than normal coping with the mass of over drinking, overeating, dangerous swimming, human abandon. Time off from the daily grind. Moments which can feel uplifting and liberating if you are in a happy space, a couple, with family and friends but can be isolating, alone, watching men pot balls on a green baise, endlessly from cue tip to round object, bouncing around, trying to escape and leave nothing behind. The empty carnage from the stacked-up start of a frame. It is relaxing apparently, the heat of battle but with gentle contemplation, unfolding over time. Day after day after day. Bank holidays can change the flow of time, stop us in our tracks, Halt. Who goes there or where. Routines upended by not needing to do anything. So, we could mow the lawn, fix fittings, dump the unused wardrobe, reconfigure our spaces. Or just go for a long walk, aimlessly meandering off into the distance, not knowing when to turn round as there is no time limit. It just goes on. All is quiet in the countryside, whereas cities hum with eager anticipation, music, drink, desperate to party to ignore the upcoming slip back into tedium of normality. A release. Melancholic moments as your team finishes the season either relegated to a lower division or deep in mid table mediocrity, months of time off to contemplate the start of another cycle. New manager. New players. New kit. New hope. We start again.

End of May sparks festival season in my brain. Time to dive into the gently rotting shed and brush mildew off my festering tent. Will it appear again this year? Not yet, but in due time. preparing to stand outside in various weather forms, jigging and dancing and chatting, music wafting through the the ozone ecosystem pollen infected air. Time can finally standstill.

East Devon Soul Festival

Dates: 3rd July – 5th July 2026 

Seaton, East Devon 

Outline  

East Devon Soul Festival is a community music event with sustainability and revitalisation at its heart, bringing opportunities for local and national artists to perform in the seaside location of Seaton, East Devon, utilising available resources and infrastructures. The festival will feature multi genre eclectic music from local and national artists, crossing genre divides but all joined by the concept of soul, music that moves, has humanity and expression. All in collaboration with local venue owners and community groups.

Ethos 

Seaton in East Devon is a town with multiple underused venues, a lack of activity but with the infrastructure to support a creative ecosystem. Sitting between the more vibrant towns of Lyme Regis and Sidmouth, Seaton has been left behind. 

The aim of the East Devon Soul Festival is to bring music to the town to support socioeconomic enhancement, providing culture and economic life, encouraging people to come in and support local businesses. East Devon Soul Festival will generate an uplift in culture for the town, providing hope and opportunity for future events to occur and release the creative potential of the region, benefitting a wide demographic, including young people, families, older residents, and those who may otherwise have limited access to arts and live music due to financial, geographic, or social barriers. 

East Devon Soul Festival will offer opportunities for local musicians and performers to showcase their talents, promote wellbeing through shared cultural experiences, and strengthen social connections in the community. Through collaborations with schools, local businesses, and community groups, East Devon Soul will also provide volunteering, training, and educational opportunities to encourage participation in event production and the wider creative industries. 

Sustainability is a key driver for the East Devon Soul Festival. We want people to have a great time in a wonderful location whilst leaving as little carbon trace as possible. Underutilised venues will be opened up. For example, the iconic Seaton Tramway can be transformed into a beautiful 500 capacity venue. The Old Picturehouse Cinema becomes a hub for global funk music. The Hideaway Cafe at the far end of the promenade a venue for late revellers, with DJ’s spinning electronic House or Drum and Bass. The beach front Tide Cafe will have acts performing on its balcony. 

Incentives will be provided to travel to the festival by green transport. The small gauge electric tram can ferry people in from campsites or Bed and Breakfasts of the nearby villages of Colyford or Colyton. Gas buses will be used to connect the nearest train station at Axminster with Seaton, a 20-minute journey. Electric tuk tuk’s will bring spice to East Devon life, a novel way of entering the festival from local villages. Arrival by bike and foot will be encouraged through elements of VIP access, food and accommodation discounts. 

Line Up 

The music ethos for the East Devon Soul Festival is quality eclectic and inclusive. Music for everyone but with a cohesive narrative, where bands featuring female and non-binary musicians are encouraged. Upcoming acts who will engage and educate audiences from across the spectrum, classical to electronic dance music, jazz, funk, soul and folk. East Devon Soul will have appeal for all ages and tastes. From string quartets to New Orleans Soul, Jungle and Grime to Jazz. Music is naturally eclectic, and the festival will showcase this glory, providing opportunities for local artists and showcases for acts brimming on the edge of stardom. The common denominator is that all acts will be approved by the East Devon Soul team, unleashing years of experience across the music industry to bring a festival for the local masses. 

Some of the artists already lined up to play include artists we have programmed previously including Acantha Lang, Dr Meaker, Buena Bristol Social Club, Kirris Riviere and the Delta du Bruit, Hannah Williams and the Affirmations, Moscow Drug Club, the Jazz Defenders, Revelation Roots, The Egg and Fulu. 

Spinning tunes in pop up venues across Seaton will be top artists including legendary DJ Krust, Queen Bee, Beatles Dub Club and the Allergies. 

Seaton 

The seaside town of Seaton sits on the South coast of the UK, just inside East Devon from the Dorset border, flanked by its better-known siblings Lyme Regis and Sidmouth. 

Seaton has a natural aspect, sitting at the end of a wide valley, flanked by beautiful countryside, beaches and cliffs. The town itself has many underused facilities including lots of available venues, outside spaces, some with seating and power, plenty of parking and reasonable transport links. Unlike its bordering brethren, Seaton is never overrun by tourists in the summer months due to a lack of historic buildings or perceived beauty. There is a flow to the way that you can circle the town, making it an ideal location for a festival. 

Map of Seaton 

Venues 

The Gateway Theatre 
Seaton Tramway 
The Old Picturehouse 
The Hideaway 
Tide 
The Vault 
Eyre Court  
 

Fishermans Gap and Jubilee Gardens 
Thury Harcourt Place 
Windsor Gardens 

East Devon Soul Festival promo – https://youtu.be/DVIg4H2cywA 

Generation Blitz 4 – Mutant Electro

I am very excited to be part of the latest Generation Blitz album with the track Inochi: Terrain, a great CD, vinyl, streaming offering featuring all your favourite global electronic post punk artists. Out on pre-release now

https://generationblitz.bandcamp.com/album/generation-blitz-4-mutant-electro

East Devon Soul

East Devon Soul Festival will support, nurture, enlivening and reawaken the music scene in East Devon, UK, utilising the underrepresented town of Seaton, snuck between those classic holiday destination, Lyme Regis and Sidmouth. Music is vibrant in these two places, central to their cultural and tourist economy. Seaton is a beautiful brutalist place, the concrete wall protecting the town from the ravages of the sea, a wide open expanse with white and red stone cliffs on either side, a perfect crescent, half moon, curvacious place. Seaton has lots of venues, all currently utilised to recreate school discos or house another covers band mainly full of blokes. East Devon Soul aims to bring global music beats from around the world to the southern shores, a Womadian aim to educate and glamourise, provide multi-ethnic culture to this mainly white populace. Bands featuring the music of Africa, South America, Europe, Australasia and Asia. Interesting electronic beats. New sounds, interesting instruments. East Devon Soul sees the heartfelt, music coming from within the self and collaborative cultures. A chance to dance and listen, to be transported, to be educated, to be entertained and join in with that process. 

Plans are afoot for a big event in 2026, the East Devon Soul Festival. Venues across the town such as The Gateway Theatre, the Tramway and the Old Picturehouse will house artists within global, soul, funk, electronic and jazz genres, crossing divides, entertaining and educating. Early July will see people flock to Seaton, dancing on the beach, by the beach, looking at the beach. Devon’s answer to Cafe del Mar, evening summer raves, a quick dip after a sweaty dance.

This year we are bringing acts such as the Cuban Buena Bristol Social Club, Omega Nebula firing dub and step, Fulu with their hidden personas, brass and techno in joyous combination, the amazing soulful Hannah and the Affirmations, as sampled by Jay-Z, to the live drum and bass of Doctor Meaker. Cuban heavyweights Asere will fire into the region at the start of Novembr. Music ecosystems enlivened by adding to the mix, adding variables to support cultural expansion in this naturally beautiful place.

Information about the East Devon Soul Festival will be coming to your eyes and ears soon. July 2026. Great value. Great acts. Great fun

Buena Bristol Social Club

So there are 5 nights until the next full moon, where you can leave the comfort of your house and safely venture out to the wonderful Marine Theatre in Lyme Regis where you will happen upon East Devon Soul presenting the wonderful music of the Buena Vista Social Club recreated with a Bristol swagger by some of the best UK latin musicians. What more do you want to usher in Spring and Summer 2025. What better sound or view will you get in the UK to experience latin tropical vibes. Enrollar, enrollar, come and join the moon!

https://www.facebook.com/share/p/1Bm8RBph77/

Book here: https://www.marinetheatre.com/buena-bristol-social-club/

Saturday 12th April 7.00 – 10.30pm

Creative Artists

Watching the early Dylan biopic A Complete Unknown has altered the perspective on a singer songwriter I never really understood or resonated with. I still don’t. It seems incongruous the reaction from audiences as Zimmerman announces his presence across New York and then the globe. A voice of a generation emerging from the shooting of Kennedy and the Cuban Missile Crisis. A voice of the people who couldn’t really connect with anyone personally, relationships destroyed by his desire to create, the importance of voicing the creative product over spending time with partners. A complete blinkered drive heading one way down the highway straight to the creative space, casualties splattered on the pavement around him joining those static and rolling stones. The film doesn’t dive into his backstory, provide some sort of connectivity with family, upbringing, education or socialisation but just places Bob in Greenwich Village, with the fellow cats, shades on, cigarettes smoked. That’s how he got such a gravelly voice, alongside the passive smoke from everyone else who was lighting up. It’s what’s missing from our popular culture nowadays. No one smokes, all pop artists are generally squeaky clean, autotuned to robotic AI perfection. Dylan was anti AI although just as anti-social. In modern day New York he could open up his computer rather than searching for key changes on his guitar, speak into it, say “create a song in the style of Bob Dylan talking about how the world is heading for yet another disaster, this time with captains Trump and Musk at the controls rather than Khruschev or Nixon. A hard drives train is going to fall in place. Why are so many revered artists such c**t* in the real world. George Michael or Prince, lovely geezers. Laurie Anderson, brilliantly creative artist who still lives on her main hit O Superman, Uh uh uh uh, oh mum and dad. In a wonderful Desert Island Discs, Anderson talks about her amazing family, starring at school, the creative process and spirituality. Dylan smokes, looks moody and mumbles alongside his guitar. A great songwriter who appears to have come from outer space, inventing his own backstory, a carnival of smoke and mirrors. Someone no one will ever know.

An picture of Dismal Land, Banksy's take on a funfare

Creativity

I love the winter break, a chance to stop, get ill, listen to podcasts and read. A chance to reflect on your top 20 books, albums, events, moments of the year almost past. Former conservative MP Rory Stewart is increasingly fascinating, a life spent trying to gather all information, to walk and connect with as many people as possible. His latest podcast, The long history of Ignorance, resonates in so many ways, especially episode 3 where he talks about ignorance behind creativity, the pure space where innovative work comes from which was the core theory behind my book Blank Canvas.

Why do we create stuff? Is there some inbuilt need to innovate, solidify your place in the world by manifesting? How creative practice connects to the brain is fascinating, the need to redevelop something fresh and original. Every day I have an innate need to do something creative, engage with the playful and free part of my brain. It doesn’t have to be for a long time, just at some point my inner self finds peace finds its tranquil home through scratching the creative itch.

I sometimes forge the time to create pieces of music, hours spent slaving over a hot computer based Digital Audio Workstation (DAW), perfecting sections on my computer, listening over and over to the same section, distorting reality, a sample of a Buddhist chant or the gentle lapping of the sea. Although I don’t really have the attention span for attention to detail. I love developing the structure, creating the whole outline, building up parts but then you need to go back and alter elements of instruments, hi hat positioning, the velocity of the odd kick drum, automation across your strings pads, hone the reverb until it sounds glassily transparent, build echoes onto certain moments so that that they last just the right amount of time, don’t mask or clash but aid the flow. I love creating melodies, interlocking parts that flow off each other. Rhythm less so. I like a pulse, a beat, but I keep missing all those intricacies that make up a great drum track. Creating the music is one thing, but then what happens? In previous eras you could go to your local studio, record some live parts over the basic structure, mix, master and create an artefact. Get friends to help in creating cover images, get your vinyl from the Czech pressing plant. Burn straight to 1/4-inch tape then Digital Audio Tape (DAT). Avidly, we created packs and sent them off to our favourite DJ’s and record shops. If it was any good then it got played. Not necessarily in large amounts but there was some traction, a point to the creative process, validation and the thrill of your sounds heading off into the ether. Nowadays I am increasingly thinking about the pointlessness of sending music out into the world. It is a saturated market, flooded by accessibility. The point of releasing music is generally about the self, satisfying a personal need to let the world have your piece of art, more flotsam to spin around digital highways, polluting, blocking up the cloud. The conundrum that the top 100 albums feature regular favourites such as the Beatles, Stones, Neil Sedaka and Nana Mouskouri, charity shops the new record stores. Spotify has endless music. Everyone can get their music on the platform; the gatekeepers have been sidelined at this point. Emancipation for good and bad. Although you now need connected humans, DJ’s, label managers, to make an impact. To get plays, streams, downloads you need a record company or influencer to catch onto your track, to like it in a way that connects with their other material. Music promotion companies such as Label Radar or Groover provide this service, enticing you to pitch your music to an endless supply of record companies. It does work. Some of my tracks get taken up and then you are onto stage 2. Promoting your track. Friends and family will sometimes listen but reaching beyond is so difficult, battling the tide of artists who have also released music that day. Estimates range between 60 to 100k releases per day. Every day. Still, you turn on 6 Music and Marvin Gaye is thoughtfully crooning along. Wonderwall is still building. The Smile continue to sound like Radiohead, but without the iconic songs. The Gatekeepers have shut the door and thrown away the key for infinity and beyond. Wham! and Last Christmas the two top documentaries. Nostalgia, nostalgia. So, should you keep making music I hear you cry? Maybe there should be an amnesty, no more music until we have filtered out all which is blocking, a year of silence to contemplate, think where creativity is taking us all. A year for everyone to prepare, restart culture. To try new instruments that have never been part of your world, the true blank space of creativity. Innovation through ignorance. Musicking is personal, moving your head from thoughts of Top of the Pops and stardom to a process, going through something cathartic. You need to make the music for yourself, to get what is inside out. The pure self. Anyway, I still check my Spotify streams, have extreme pleasure when it says that someone is listening to my latest track Rise up by Inochi. In-Oh-Chee. Japanese for life energy, I think. Check it out on all streaming platforms. So maybe that is the point, personal satisfaction that someone somewhere gets it, gets you. Listens to you. Reads your words. Takes time to connect their life with yours. Or maybe it’s just a release, an internal burden which needs to be set free. Our lives are time stamped by the creativity of others, remembering different eras, innovative sounds or combinations of the audio and visual, stopping us in our tracks, providing new directions and thought processes. Picking a random book from the shelf of a library stack that alters your thinking, the ideas of others taking centre stage and manipulating your life in a certain direction. We need creativity to keep us sane, provide a reason for being. It is one of the most important elements so should be embraced fully, hugged to death, translating thoughts from your mind into actions. I am interested in bringing culture and creativity to rural locations, having moved from the city during the Covid pandemic, Stewart Lee’s sketch where he has friends who move to the countryside, to live an idyllic life but the reality is extreme boredom. They enquire to friends, please come and visit; bring coke. He has only a horse to talk to now. The buzz of the city replaced by peace and calm only works if you can have a balance. A vibrant life where the beauty and purity of nature and culture intersect. An internal smile. My research is based on exploring the infrastructure and innovative ideas you can collate which forms a rural scene or scenius, finding the people and locations, stories and place. A collective will to develop culture, a blank canvas on which anything can be drawn. No competition. If you create it they will come, bringing thoughts from everyone’s head into realisation. Collective intelligence and ignorance brought beautifully together.

East Devon Soul

Red Alerts were sirening off all over the west of the country as Storm Darragh battered the bruised country into further submission. Luckily humans are hardy and the first event for our new organisation east Devon Soul went off. It was great to see such a lovely eclectic bunch of people enjoying Grammy nominated Acantha Lang at the Marine Theatre, a last minute change from the embattled Seaton Gateway. It was a beautiful night and we at East Devon Soul will be running many more events over the next few years. We see soul music as all music that comes from the soul. So it will be hip hop, funk, latin, jazz, pop, rock, jungle, electronic dance and of course soul. We are also planning a big event in July 2026 so news will be passed around when details have been defined through the first part of next year.

We are really looking forward to developing music in and around East Devon, providing high quality music for all.

East Devon Soul

Acantha Lang at the Marine Theatre, Lyme Regis