Time to Stop

I love waking up and seeing the view from my kitchen. The endless variety that the same picture conveys, changed by seasons and the vagaries of the English weather. Coastal winds transforming the seascape unfolding in front of me. The variances as the sun rises from a slightly different position each day, spraying deep orange and peach light that gradually lightens as the sun rises, turning our home into a constantly varying symphony of colour, replicating musician and artist Brian Eno’s light boxes, never the same, always different. Nature drenching its mood and perspective. Whilst studying for my doctorate I used to cycle most days between the south western English cities of Bristol and Bath, stopping at the same point and snapping a shot on either my phone or camera. A beautiful spot where the city was left behind and bucolic countryside emerged, fields, horses, a church spire rising out of the English village, creating balance in the view. I was entranced by the differences in similarity, the chance to look more deeply when you start to know every element in your picture. Sometimes the horse was there but other days not, or in a different location creating an alternative balance. Standing still and contemplating. Repetition providing the opportunity to stay in the moment, the place, the view. Not a set of holiday snaps which blindly take you around the pool, beach, lunch, church, beach, afternoon drinks, sunset, dinner, party. A beautiful view is to be savoured, unfurled through the ages, the chance to measure your life alongside the beauty of humans and nature. An opportunity to be static and contemplate change, to work out what it is all about. To stop rushing around, stand on one leg and breathe, the tree of yogic life. Zen gardens. Life is everything around us. Let’s be more observant, take time out, put the phones away and actually live, fighting the demands and distractions of the modern world. Recognise what is going on around us, the different dynamic of certain moments or days.

Why does the start of the week feel different to the end? Parts of the year have certain scents, views, feelings, which time stamp our development. Facebook reminding us about what was happening on the same day one, two, seven years or even eleven years ago. It all seems so recent. Present, in the now. Time has sped past, our lives juggernauting along at breakneck speed, unable to slow it down as caught in a merry-go-round, gliding up and down on a horse, repeated views blurring past from the bottom of the hill. Our lives have reportedly changed over the 58 years I have been present, but it all seems the same to me. The UK. The long hot summer of 1976, Prime Minister Margaret Thatcher, exciting pop music with punk screaming into view, strikes, extreme weather, long periods of drought followed by flooding, a warming globe, familiar places and faces. Not a static life spent in one location, from birth, school, work to marriage, children and death but a multifaceted one travelling the planet, moving from place to place, adventures that make life exciting and dynamic. London, Paris, Glasgow, Bristol with a swathe of smaller locales in between. Days which were dynamic, a cure for the humdrum, a world of creativity and chaos. Moving from cities to the countryside has provided boredom, the ability to stop and stare, think deeply, be at peace and start to wonder and wander, contemplate, remember, look forward. Internal conversations becoming clearer as the fog starts to drift away, lifting from the valley floor and revealing a beautiful landscape stretching into the distance, providing the first glimpses of clarity on life.

1.12 Brian Eno Day

On 1st December 2016 I took the train from Bristol Temple Meads to London Paddington. It was one of those beautiful rare clear cold sunny vibrant winter days, one where the trains ran on time, everyone had a seat and enough room to spread out. I was very excited. At 11.47 precisely I was transported to the ornate iron and glass door of a mews house in Ladbrook Grove. Just about to knock on the pane I see a figure furtively rustling around the colourful and bright studio space. Picking up objects, transferring them, bustling around with what seemed like an ever enlarging grin on his face. A medium set bald guy with a kind of beard. Ah Brian, there you are. I was transfixed. I wanted to keep just watching. I did for about 11 minutes before I walked away a few stops and came back to the door to knock. Brian was welcoming and lovely, making me a large cup of his wizards tea.

During our session, artist musician Brian Eno demonstrated Chaos Theory with his 2 handed pendulum, where simple motion on the first one creates infinite non repeated movements on the second. So, a little nudge one way can send all kinds of confusion across the next, thereby subordinating populations. Collective consciousness came through in punk, hip hop, techno, jungle etc.. through commonalities of fashion, style, music, art, taste, lifestyle, place, rhythm, dance. There are instigators, those key people who lead the collective in a certain direction. We are all swayed in some way, which can be a positive in cultural scenes but have global destroying effects in political spheres.

Brian Eno hanging out with the German electronic musicians of Kluster, provided the time and space for creative exploration by dropping out and living in their Kommune for a while. London squats were the beating heart of the emerging punk scene, and within Western Europe.

Our connections to our lands, our ancestors, spaces and places, kneeling in the soil, digging the garden, the new rock and roll as Cosey Fanni Tutti and Kim Wilde continue to show. I’m sure Brian Eno potters around hot tomato plants, winding them carefully up their strings, reaching to the sky. Little glowing red orbs gradually appearing. The Farmers Boys and Girls in their Norfolk greenhouses. Sets of allotments are the socio-cultural space for the new creatives, or the old creatives who need to be in touch with their land, the city dweller who yearns for the countryside, everyone effected by global cost of living crises, where pulling up your evening meal from the ground can offset ever rising food prices.

Roxy Music keyboard knob twiddler Brian Eno learnt about the power of humour through his art school adventures with tutor Roy Ascott. His first lessons at art school included devising personality tests, where students had to enact the opposite traits they normally displayed. For chatterbox Eno, he had to remain silent for the sessions and let other people lead projects. When becoming a record producer, Eno introduced concepts relating to getting artists out of their normal comfort zone so that they would maximise their self in performances and composition ideas, without the usual routines or trappings. The Oblique Strategy cards he created with artist Peter Schmidt contains humorous, tasks such as play with your non dominant hand, do something boring or emphasise the flaws, whilst also suggesting role play ideas to bands including pretending to be an alien funk band from the year 2055.

Brian and I had a good chat. He showed me 2 floor standing safes, saturated with notebooks, relaying pictures and concepts from years of doodling and thinking. A time bandit. Brian got on his fold up bike and scooted off for a meeting with George Monbiot. See you again Brian.

Images from Brian Eno's diary

https://www.intellectbooks.com/blank-canvas

https://www.enoshop.co.uk/product/what-art-does.html

Blank Canvas

So for any people out there interested in creativity, especially within music, my first book, Blank Canvas, is available from Intellect Books. Remarkably good value for a book that straddles academic and commercial values. Lots of info from creative artists including Brian Eno, Pauline Black, Gavin Bryars, Barry Adamson, Roy Ascott, Gina Birch, Gaye Advert etc…..

https://www.intellectbooks.com/blank-canvas

Gavin Bryars book

I am really excited to have a chapter in this beautiful book that celebrates the work of renowned UK minimalist composer Gavin Bryars. The book really explores the impact Gavin had on the music industry, initially with Brian Eno and other artists who formed the ambient and experimental early popular/ classical music crossovers. As a celebration of his 80th year, this is an exploration of the creative life of an iconic and great bloke.

My chapter looks at his connection between art and music, exploring the innovative teaching methods he used at Portsmouth and Leicester art schools in addition to the formation of the incredible Portsmouth Sinphonia.

A perfect christmas present for your cultured family member and/or friend

https://www.kahnandaverill.co.uk/product/gavin-bryars/