So for any people out there interested in creativity, especially within music, my first book, Blank Canvas, is available from Intellect Books. Remarkably good value for a book that straddles academic and commercial values. Lots of info from creative artists including Brian Eno, Pauline Black, Gavin Bryars, Barry Adamson, Roy Ascott, Gina Birch, Gaye Advert etc…..
Tag Archives: DIY
Creative Spheres
So I am coming to the end of finishing my second book, Creative Spheres, and as well as the relief and excitement there is also a slight feeling of loss. The work is done. Now, though, comes the tricky task of finding a publisher. Who will release a book that crosses academic and commercial arenas? It is the next mission, to find the place in the world for my latest baby. Here are the chapters…
Creative Spheres: the resonance of music scenes
Contents
Opening Reel
Resonance
Passing Through
Introduction
Part 1: Scenius
Art worlds and music worlds
Popular Music genres
Places and bands
Part 2: The elements
(i) Hierarchies
The ordinary musician
Interlocutor
Politics of creative space
Leisure
Media
(ii) Process.
Materiality
Physicality
Chance/ Serendipity
Taste
Sonic spaces
Jamming
Lyrics, words, phrases, repetition
Technology
Critique
Tempo
And space
(iii) Experimentation
Without the fear of failure
Attitude/ radical
Politics
Protest
Humour
Words/ lyrics
Eclecticism
Fashion
Examples
(iv) Relationships
Master/ Apprentice
Instigator
Linkers
Tension
Place
Family
Friendships
Social Rhythm
Gigs
Sex, Sex,Sex
Fans
Religion
(v) Flow
Autotelic
Dancing
Creative Spheres
Epilogue

Timeless: the punk/ jungle continuum
Just before the onset of those traditional festivities where families argue or try and flick an After Eight from forehead to mouth without using fingers, I am speaking about connections between punk and jungle music genres at the wonderful Punk Scholars Network conference.………
Punk is timeless and extends beyond the year zero late 1970s definition and identification in which it is commonly held. In connecting to other time points and genres I interpret jungle as a genre which combines many of the same elements, reflecting on the wider connotations of punk, stepping into the Hardcore Continuum identified by music journalist Simon Reynolds which led through techno, jungle, drum and bass, dubstep, and grime.
Key elements of punk and jungle show equivalence: DIY, creative emancipation, postmodern eclecticism of genres, dole and squatting, technological shifts, subcultures, resetting the music landscape, minimalism, anyone can be a musician, pirate radio, delivering an original sonic difference. Visual arts also played a key role as jungle initially connected with graffiti whereas punk defined new fashion, emerging from Dada and art inspired spaces. Punk and jungle resonated sonically, music that is dynamic, danceable, and fluttered speaker membranes.
Every scene, or scenius (the genius of certain scenes – thanks Brian Eno), cooperative genius needs a key instigator to push it forward so within punk, managers Bernie Rhodes and Malcolm McLaren forged the scene whereas jungle was led by its musicians, specifically Goldie or Roni Size in London and Bristol respectively. Community spaces including key venues, rehearsal and recording studios also supported and defined both scenii (scenius in plural), from the Roxy to the Blue Note.
Acknowledging the punk continuum in preceding genres such as jungle, reduces retrospection and highlights future punk infused possibilities for popular music scenes related to inner city modern life.
Come along, its the most fun you can have in any conference anywhere ever!

