So I am coming to the end of finishing my second book, Creative Spheres, and as well as the relief and excitement there is also a slight feeling of loss. The work is done. Now, though, comes the tricky task of finding a publisher. Who will release a book that crosses academic and commercial arenas? It is the next mission, to find the place in the world for my latest baby. Here are the chapters…
I am really excited to have a chapter in this beautiful book that celebrates the work of renowned UK minimalist composer Gavin Bryars. The book really explores the impact Gavin had on the music industry, initially with Brian Eno and other artists who formed the ambient and experimental early popular/ classical music crossovers. As a celebration of his 80th year, this is an exploration of the creative life of an iconic and great bloke.
My chapter looks at his connection between art and music, exploring the innovative teaching methods he used at Portsmouth and Leicester art schools in addition to the formation of the incredible Portsmouth Sinphonia.
A perfect christmas present for your cultured family member and/or friend
Gradually we descend through the blustery moments of autumn hoping to arrive within the warm embrace of log fires, nights in and out, fluffy socks, pipe and slippers. A time to dive into creative pursuits to fight off the dark (k)nights. About a year ago I excitedly released my first book Blank Canvas, containing musing on creative development alongside a wonderful array of interviewees such as Brian Eno, Pauline Black, Bill Drummond, Stephen Mallinder, Gina Birch, Helen McCookerybook, Lester Square and the dearly departed Keith Levene. It has been great seeing its journey into the world.
Every morning through 2023 I have woken by 6am at the latest and furiously tapped away for an hour each day, conjuring up my next book Resonance. It is a semi autobiographical frolic through music scenes, using the concept of scenius (collective genius) as a lens. It’s currently a mash of ideas, thoughts, pages of autonomic writing, exploring individual to collective creativity. I always get over excited as I develop creative products, so I need to calm down and take a steady path to the finish line.
Here is a little snippet:
Resonance is a story of collective success through individual failure, where my own role petered out but the collective force continues to resonate and scenes run on. The genius of the Love – did did, do do did did. I’m going to have some fun. Fun lots of fun. And I did fail many times. Pulling apart the bellows of accordions through over vigorous activity, desperate to be heard. Playing a battered trombone which had more dents than tubing. Spending a month in a Southern Spanish villa where there was only local English cuisine available, rehearsing diligently parts for a new album which would all be completely scrapped on our return to Paris. Trying to synch multiple ADAT digital tape machines, time stretching over night, selling dodgy grey market synths on Charing Cross Road. I was working for a camping company based in Hemel Hempstead when I saw a small advert in the middle of a page in Loot, the ads paper of choice, looking for a hi-fi installer. I whizzed down to London, got offered the job, given a brand new silver Astra van, and was soon installing tech stuff for the rich and famous. Sultan of Brunei, Rodney Trotter, Bros, Pamela Bordes and Princess Diana. I am terrible at DIY and managed to place a Bang and Olufsen flat speaker on one of her walls, walk gently away and it crashed to the floor, ripping its brackets out and leaving a great gash. We quickly left. The company (Le Set) went out of business soon after. Hi-Fi was big business in the 1980s. People bought high quality boxes and spent fortunes on ever shorter cables, hoping to experience every nuance of sound that recording studios imparted. Listening for pleasure, placing your favourite seat equidistance between your KEF or Quad Electrostatics. The Linn Sondek, imperfect perfection. Sound quality was universal, something to seek out and aspire to. I’m not sure our latest mp3s can remember those times.
Blank Canvas can be purchased directly from the wonderful people at Intellect publishing or through all good retailers.
Synergy and serendipity are key elements of creative development, where working together and chance combine, natural energies allowed to collide so that ultimate experiences emerge. My book Blank Canvas, relates to coming from an empty space where previous learning doesn’t affect outcomes. This is a space where synergy and serendipity can be allowed to foster. Synergy can be defined as when the collective whole is greater than what could be achieved just by individual parts. Synergy connects to flow, a collective natural magic where everything just fits into place. Don’t you have those days when everything seems to work perfectly. You wake up, the weather is beautiful, your body feels great, you hug your partner, the morning light sifting through creates beautiful patterns. You gaze through the kitchen window to see the sun rising out of the flat calm sea which is starting to glow and has a lovely deep blue hue.The coffee machine is ready, there are lots of berries in the fridge, the news on the radio is uplifting. It’s a Friday morning, best day of the week. You have time to sit and write before going for a gentle run to the beach and diving into the still deep blue water. You win toward the gradually rising sun with a few other early birds happily swimming along. Somedays it all fits into place. Collective synergy is about alliance, coming together as one. Music composition has a synergy in that as you develop a piece it starts to gather a natural flow if you allow it. You might start with your main melody, riff or rhythm but working on certain parts then informs the next. Like knocking the first skittle over in bowling, you don’t know what kinetic effect this will have on the rest of them until their energy is transferred. I was just writing about flow and then on Doodle up pops a picture of Mihaly Csíkszentmihályi. Happy 89th birthday Dr Flow. Serendipity.
When Femi Koleoso from Ezra Collective collected the Mercury Music Prize for 2023 he thanked the support and inspiration of Tomorrow’s Warriors. They are an education organisation, not a school or college, who support underrepresented jazz musicians, nurturing them from early teens through to mid 20s. They have had 9 Mercury Music prize nominees including Moses Boyd, the Comet is Coming, Sons of Kemet, SEED Ensemble and Nubya Garcia. All musicians who come through TW have a free education, supported by crowd funding and sponsorship.
A couple of current projects include combining electronic producers with jazz musicians who breakdown silos of music style and thought. They are also interested in bringing jazz to rural areas across the UK, having just completed a successful project in Devon. In 2024 we are hoping to bring TW to the Sidmouth Jazz and Blues festival to bring the story of jazz to the countryside. All hail the warriors.
Article in the Observer paper which uses Blank Canvas and art schools in the title. Is it plagiarism or just obvious? Anything which discusses their importance and inter connection is great
And the winner of the 2023 Mercury Music prize is…….Ezra Collective. Excellent choice. A jazz group winning a major popular music prize shows how the genre is central stage and gives a real filip to events such as the Sidmouth Jazz Festival that I am part of the organising team. Ezra Collective’s album Where I’m meant to be is excellent, mixing afro beat with jazz and hip hop, showing their London roots. Accepting the award, drummer Femi Koleoso thanked Tomorrow’s Warriors and the Total Refreshment Centre community space where the group and the new London Jazz scene emerged. Taking Brian Eno’s concept of Scenius (or group genius) you need free spaces to support collective creativity, central locations where people can hang out and explore their creative selves. I learnt about playing in bands and explored musical styles through having the time and space to explore, experiment. Neoliberal gentrification housing issues that are sweeping our lands are cutting bands like Ezra at source. They will disappear without a proactive moment now to protect community spaces – it is a human need for us all.
Femi also thanked music education, schools, colleges, tutors who support young musicians to develop and explore their fields. Ezra Collective came through Tomorrow’s Warriors, a school that develops young jazz musicians in London and is expanding their reach across the UK and beyond, helping musicians from underprivileged backgrounds in Devon for example to explore the joys of jazz. In working on the Sidmouth Jazz Festival, I also want to see the expansion of jazz in rural areas, to see urbanities in the fields, swimming in the sea, hanging out on beaches, playing, dancing and listening to music, spreading our rich cultures to all parts. Ezra Collective have just made a big moment in that direction.
A great exhibition of influential women artists from 1970-1990 is coming to the Tate Britain from the autumn. Features many of the artists interviewed in my book with The Raincoats Gina Birch as the poster image
It is truly delightful to witness your creation venturing into the vast world, particularly in your most beloved locations, like the extraordinary bookshop at the Tate Modern. You have the option to procure Blank Canvas: art school creativity from punk to new wave directly from the publisher (as well as from all reputable bookstores). The joy of encountering your work in beautiful artistic spaces is heartwarming and exciting.
