This is the modern world

Everyone recognises their epoch as the modern world. We live in a modern world. We have always done so, back to JC (not Jeremy Corbyn) himself, announcing wow what a modern world I have created (sic). What constitutes modern? AI or AC? We seem to be constantly moving towards Tomorrow’s World, futuristic presenters Raymond Baxter or Judith Hann pronouncing new inventions which will change our lives on the BBC programme. Kraftwerk robotically striking synthesised drum pads. The computer, that most modern world invention. Everything is controlled by them, from cavernous rooms filled with metal boxes and spooled tape to small passages of text on the first desktop computer, really the IBM personal or ZX Spectrum. These devices seem even more futuristic now, more modern than when they arrived in the world. We are looking towards AI as our future, our saviour, our threat. A world where we can sit twiddling ever-expanding thumbs, surfing through an ever-increasing array of social media, yearning for a newspaper or weekly journal to plop onto the doormat. A reassuring and exciting presence, rather than a mini world, on a little screen in front of us. The modern world should be better. More nature. More free time. Greater freedom. A life worth living. Supporting the planet and actually enjoying it rather than mercilessly moving forwards, striving for the next thing. Samantha Harvey’s wonderful Booker prize winning Orbital, providing an expansive view from above, defining the gaseous layers which sweep around the little fluffy clouds of our beautiful orb.

AI has been around for ages, having a greater impact in certain areas. Music has utilised AI technology since the 1970s, through automated synthesisers, Kraftwerk on Tomorrow’s World, still looking futuristic today. AI will suddenly be implemented at pace, when everyone realises it has been there for so long, waiting in the wings for its opportunity to pounce. Early Dr Who episodes through stricken derelict London sites, Mad Max meets the time lord. Earthy. Dated. Tomorrow’s world is here today, always has been, constantly striving for the new, pushing forward in ever increasing ways that is meant to mean improvement, subtle alterations aimed at de-snagging. The present or future is not always improved. Thinking about my generation, we were lucky to have existed in a world that straddled the internet, saw rapid changes in technology but had a grounding in the analogue basics. Relate to the past but be excited about new technologies, providing a grounding so that AI isn’t let loose without contemplating the past, thinking about what will be missed, experience of technological advancement. Is there life on Mars? 1984 predicted a future before Big Brother, nasty Nick, a dystopian world which always seems to hang on a date slightly out of reach. How about 2032? That currently feels far enough away to have mystique so that the truth doesn’t need to be connected. A dream date. An impossible reality where everything is shiny and silver, silent, smooth, sensuous. The human condition of constantly looking forward whilst burying collective heads in sand about climate change. I mean the planet is always going to exist, things will be OK, global warming is a myth made up in a lab by boffins who are always proven wrong. Experts eh! The future will always be there, temptingly out of reach, tomorrow’s world ahead of today. In the blink of an eye time moves on, tempting new ideas just about in reach. AI can help unlock our lives, reduce the amount of time needed to be spent on daily chores, gathering information in seconds, the robot the research assistant of the future. Or the present really as the future has always been with us, just moments ahead. Iconic German band Kraftwerk still feel so futuristic, ahead of the game, computer dummies producing evocative minimalist music to cycle to. But there is a stark coldness to the thought of AI, not something comfy and fluffy. Images of sheet metal glistening in a bright orange glow, the ozone layer thinning daily, the end of days feeling nearer as our world becomes increasingly dystopian.

Album cover of Kraftwerk album Electric Cafe and a copy of Orbital by Samantha Harvey

Blank Canvas

So for any people out there interested in creativity, especially within music, my first book, Blank Canvas, is available from Intellect Books. Remarkably good value for a book that straddles academic and commercial values. Lots of info from creative artists including Brian Eno, Pauline Black, Gavin Bryars, Barry Adamson, Roy Ascott, Gina Birch, Gaye Advert etc…..

https://www.intellectbooks.com/blank-canvas

Creative Spheres

So I am coming to the end of finishing my second book, Creative Spheres, and as well as the relief and excitement there is also a slight feeling of loss. The work is done. Now, though, comes the tricky task of finding a publisher. Who will release a book that crosses academic and commercial arenas? It is the next mission, to find the place in the world for my latest baby. Here are the chapters…

Creative Spheres: the resonance of music scenes

Contents

Opening Reel

Resonance

Passing Through

Introduction

Part 1: Scenius

Art worlds and music worlds

Popular Music genres

Places and bands

Part 2: The elements

(i)           Hierarchies

The ordinary musician            

Interlocutor

Politics of creative space

Leisure

Media

(ii)          Process.

Materiality

Physicality

Chance/ Serendipity

Taste

Sonic spaces

Jamming

Lyrics, words, phrases, repetition

Technology

Critique

Tempo

And space

(iii)    Experimentation

Without the fear of failure

Attitude/ radical

Politics

Protest

Humour

Words/ lyrics

Eclecticism

Fashion

Examples

(iv)   Relationships

Master/ Apprentice

Instigator

Linkers

Tension

Place

Family

Friendships

Social Rhythm

Gigs

Sex, Sex,Sex

Fans

Religion

(v)       Flow

           Autotelic

           Dancing

 

Creative Spheres

Epilogue

 

Chihuahua band logo from Creative Spheres

 

Timeless: the punk/ jungle continuum

Just before the onset of those traditional festivities where families argue or try and flick an After Eight from forehead to mouth without using fingers, I am speaking about connections between punk and jungle music genres at the wonderful Punk Scholars Network conference.………

Punk is timeless and extends beyond the year zero late 1970s definition and identification in which it is commonly held. In connecting to other time points and genres I interpret jungle as a genre which combines many of the same elements, reflecting on the wider connotations of punk, stepping into the Hardcore Continuum identified by music journalist Simon Reynolds which led through techno, jungle, drum and bass, dubstep, and grime.  

Key elements of punk and jungle show equivalence: DIY, creative emancipation, postmodern eclecticism of genres, dole and squatting, technological shifts, subcultures, resetting the music landscape, minimalism, anyone can be a musician, pirate radio, delivering an original sonic difference. Visual arts also played a key role as jungle initially connected with graffiti whereas punk defined new fashion, emerging from Dada and art inspired spaces. Punk and jungle resonated sonically, music that is dynamic, danceable, and fluttered speaker membranes. 

Every scene, or scenius (the genius of certain scenes – thanks Brian Eno), cooperative genius needs a key instigator to push it forward so within punk, managers Bernie Rhodes and Malcolm McLaren forged the scene whereas jungle was led by its musicians, specifically Goldie or Roni Size in London and Bristol respectively. Community spaces including key venues, rehearsal and recording studios also supported and defined both scenii (scenius in plural), from the Roxy to the Blue Note. 

Acknowledging the punk continuum in preceding genres such as jungle, reduces retrospection and highlights future punk infused possibilities for popular music scenes related to inner city modern life. 

Come along, its the most fun you can have in any conference anywhere ever!

poster for the punk scholars network conference in high Wycombe on 15th and 16th December 2023