East Devon Soul

East Devon Soul Festival will support, nurture, enlivening and reawaken the music scene in East Devon, UK, utilising the underrepresented town of Seaton, snuck between those classic holiday destination, Lyme Regis and Sidmouth. Music is vibrant in these two places, central to their cultural and tourist economy. Seaton is a beautiful brutalist place, the concrete wall protecting the town from the ravages of the sea, a wide open expanse with white and red stone cliffs on either side, a perfect crescent, half moon, curvacious place. Seaton has lots of venues, all currently utilised to recreate school discos or house another covers band mainly full of blokes. East Devon Soul aims to bring global music beats from around the world to the southern shores, a Womadian aim to educate and glamourise, provide multi-ethnic culture to this mainly white populace. Bands featuring the music of Africa, South America, Europe, Australasia and Asia. Interesting electronic beats. New sounds, interesting instruments. East Devon Soul sees the heartfelt, music coming from within the self and collaborative cultures. A chance to dance and listen, to be transported, to be educated, to be entertained and join in with that process. 

Plans are afoot for a big event in 2026, the East Devon Soul Festival. Venues across the town such as The Gateway Theatre, the Tramway and the Old Picturehouse will house artists within global, soul, funk, electronic and jazz genres, crossing divides, entertaining and educating. Early July will see people flock to Seaton, dancing on the beach, by the beach, looking at the beach. Devon’s answer to Cafe del Mar, evening summer raves, a quick dip after a sweaty dance.

This year we are bringing acts such as the Cuban Buena Bristol Social Club, Omega Nebula firing dub and step, Fulu with their hidden personas, brass and techno in joyous combination, the amazing soulful Hannah and the Affirmations, as sampled by Jay-Z, to the live drum and bass of Doctor Meaker. Cuban heavyweights Asere will fire into the region at the start of Novembr. Music ecosystems enlivened by adding to the mix, adding variables to support cultural expansion in this naturally beautiful place.

Information about the East Devon Soul Festival will be coming to your eyes and ears soon. July 2026. Great value. Great acts. Great fun

2024

Ok ok so it’s another day, another year. Excellent stuff and thanks for everyone who has read my posts, my books, listened to my music or looked through my photographs. Next year is time to release book number 2 into the world, an exploration of music scenes through my eyes.

Have a great New Year and hope the world can finally get its act together in all ways.

Hearts

In Retrospect

So its that wonderful time of the year when top 10, 20, 50 lists are compiled by all and sundry, books, albums, tracks, exhibitions, TV programmes, films etc.. Culture laid bare by the usual protagonists. In my world of popular music culture the lack of diversity and retrospective nature of the so called music books of the year I find staggeringly depressing. Topping the Times list is the alternative mainstream funk of Sly Stone, sound interesting to me, but the rest include tombs on Madonna, Bowie, the BeeGees and Barabara Streisand. OMG. Surely music books of the year should not be so biographically in the past and mono cultured. There is a whole other array of music writers and publishers that the regular mainstram of White Rabbits, Faber, Rough Trade have a slightly more eclectic mix, including Jeremy Deller’s Art is Magic, although it does include Rick Rubin’s rambling rough ruminations on creativity. He aint no Mihalyi Csikszentmihalyi that.s for sure. Too many male authors too, lads talking about lads in bands. Boring. Atleast Audrey Godden’s reconstruction of Factory Records hits many a list. Whatever year final retrospective you view there is a lack of black identified music genres including grime, jungle, reggae, or global music outpourings around South American, Asian, or African music cultures. Music is also of the hear and now, not just for getting back to the Beatles and their ilk.